The Cutoff: A Sequence

Word Works, 1995 . . . feeling a pang as she held hands with her husband, I saw felicity in Passions of the Renaissance as well as in a double play, in the curves of Samothrace or Koufax or her exquisitely made thigh. From "Aesthetics" Cover: Lance Richbourg, George Bell, oil on canvas, 1990. Collection of Peter John Goulandris.